*SOME REFERENCES & SOURCES

“To co-incide suggests how different things happen at the same moment, a happening that bring things near to other things, whereby the nearness shapes the shape of each thing”.
Sara Ahmed · Queer Phenomenology: Orientations, Objects, Others

critical plant studies and perception theories (i.a. Laura Sewell’s ecological perception, Karen L. F. Houle’s concept of becoming plant, an invitation of Natasha Myers to vegetalize human sensorium)

“What we do need to do is make strange the disenchantment and scepticism we have inherited from those whose power was secured in part through sciences designed to invalidate all other ways of knowing the world.”
Natasha Myers · How to grow liveable worlds: 10 (not-so-easy) steps for life in the planthroposcene

“I am located in the margin. I make a definite distinction between that marginality which is imposed by oppressive structures and that marginality one chooses as site of resistance - as location of radical openness and possibility.”
Bell Hooks · Choosing the margin as a space of radical openness

reflections about Meshwork Choreography by Daisuke Muto, who uses the idea of meshwork after Tim Ingold looking at different strategies of (intercultural) collaboration in the field of choreography 

shift from network & inclusion to decolonial politics of matter discussed i.a. by Dimitris Papadopoulos: 

“This decolonial politics of matter attempts to restore justice step by step through everyday practice (…). In politics of matter, justice becomes ingrained in the materiality of being: in the soil, in the water, in our bodily tissues, limbs, organs, cells, genes, and molecules. Decolonizing settler land is one thing; decolonizing matter is another (even if they are tightly connected).”
Dimitris Papadopoulos · Experimental Practice. Technoscience, Alterontologies, and More-Than-Social Movements
 
SenseLab - Laboratory for Thought in Motion

action turn and expanded understanding of a field(work)

folk perspectives on authorship and schemes of artistic production

folk humanism and indigenous perspectives such as place-thought, which Haudenosaunee and Anishinaabe scholar Vanessa Watts describes as “a theoretical understanding of the world via a physical embodiment.”

“Place-Thought is based upon the premise that land is alive and thinking and that humans and non-humans derive agency through the extensions of these thoughts.”    
Vanessa Watts · Indigenous place-thought & agency amongst humans and non-humans (First Woman and Sky Woman go on a European world tour!)

“In the Polish countryside, echoes of times when people considered that <<even the stone was not a mute, passive, impersonal thing>> persisted into the 20th century - as in the saying: “when stones grew, they were soft.”
Kacper Pobłocki · Chamstwo / quoted after curatorial text of Katarzyna Różniak-Szabelska for Duby Smalone exhibition

an invitation of Valeria Graziano to think about artistic practices as elements of partisan social reproduction, rooted in a pre-figurative approach transplanted from the social justice movements to cultural/artistic sector:

prefigurative practice addresses the “basic” phantasies that solidify “institutional objects that are never questioned (roles, aims, modalities, economies, temporalities, etc.)”
 

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